电影如蝴蝶，漂日月而短折。千机万变收拢美满固已难能重视，留住长远之美，庶几无憾。印度现象潮热，多亏人称「奈尔陶冶」的印度电影保育之父，无数面对损毁边际的重视故故品，得以覆灭设立。由门票选藏家变身菲林警卫，不避跋涉直入穷乡馈送烟没的电影，奈尔走过的路可有十万八重读？顾念想想着旧片重 温、种种制故故公司牌号的片头蒙太奇，印度电影史顺应就在经他维持的影框之间莫名裸露。遑论波兰巨匠赞禄西、斯里兰卡国宝培里斯等锦上添花的访谈，直构一场知性大丰登。Henri Langlois, the French film preservation pioneer, had it easy compared to P. K. Nair. Nair, the founder of the National Film Archive of India, has been instrumental in salvaging his country's cinematic heritage, from early silent films to regional cinema to even popular Hindi movies. He has also been a teacher to a host of filmmakers, including this documentary's director. Heartfelt and illuminating, this is a celebration of cinema and a man who spends his life safeguarding film for future generations.