电影道述了上世纪九十想法的哈萨克小镇，四个少年各自的生命之路。扎哈拉斯正在备受父亲的煎熬，后者因曾是一个诳骗犯而找不到工故故，为了附和父亲，他不得不在玉米加工场打工。巴拉潘有一把好嗓子，能够将“万福玛丽亚”唱的娓娓美妙，然而校园糊口陶染他的是骗取自身的拳头而不是音响。扎哈巴则在隐迹在村子里的糟粕堆中，追求能够卖的废金属，他与此外三名同龄离家出走的男童子睡在铲除的隧道中。阿斯兰正在为医药学致力，然而当他说服自身的女诤友堕胎之后，他的道德爆发了通盘的迁移。 A godforsaken Kazakh village in the mid-1990s where four youths are trying to find their way in life. Zharas suffers because his father, an ex-con, cannot find a job. To help make ends meet the boy takes on casual work at a corn merchant’s. Balapan can sing ‘Ave Maria’ as clear as a bell but his schoolmates provoke him into using his fists rather than his voice. Zhaba roams about the village ruins looking for waste metal he can sell. He comes across three bedraggled boys of his own age who have run away from a nearby home and are sleeping in a derelict tunnel. Aslan is about to take up studies in medicine but, after having persuaded his girlfriend to have an abortion, he undergoes a complete change in personality. After scoring a hit with his first film Harmony Lessons, which screened in Competition at the Berlinale in 2013, Emir Baigazin’s new work The Wounded Angel describes the mood of teenagers growing up in a time of great upheaval. The film marks the second part of a visually stunning trilogy about young people and their complex relationships in a world without a moral yardstick. berlinale 2016